Nonfiction End of Year Review, Award Eligibility

AWARDS

A while ago some nice people suggested Boucher, Backbone and Blake – the legacy of Blakes 7 might be Hugo-eligible under a few categories. There’s Best Related Work, there’s Best Fan Writer, etc. THIS IS VERY KIND. THANK YOU.

HOWEVER:

I really feel Best Related Work needs to go to the report, editorial and companion essays by Brian J. White, Tobias Buckell, Justina Ireland, Mikki Kendall, Nisi Shawl, Troy Wiggins, Cecily Kane and N.K. Jemisin that together comprise “#BlackSpecFic: A Fireside Fiction Company special report”.

This collaborative project calls attention to a foundational issue in SFFnal publishing, representing the best traditions of critical, self-reflective and progressive work this award exists to recognise. Academically and practically, it is a necessary investigative report. The very model of its presentation is exciting and polyvocal, and it’d be great to see the award recognise this digital mixed-media format. Several great writers and thinkers made substantive contributions to the project. Others offered valuable reactions after the fact. The report and associated documents attracted international media attention, gave rise to editorial shifts on major SFF publications’ boards, and hopefully will spur further inclusive developments.

We should not let the memory of this work fade or its sharp, timely conclusions be overlooked. The report needs acted on, in a continuous praxis, and I believe it should also be recognised. This would show that we all feel the horrible inequalities it frankly delineates are a blight on the field, and that we are collectively serious about redressing them in the interests of both fairness and richer art. It would not definitively do so: only continuous work to dismantle systemic racism will accomplish this. But recognising the report as the most important piece of genre-related writing/the Best Related Work this year seems to me simply a just acknowledgement of a fait accompli.

As for me, I’d be happy to be considered for fan writer (though really I also think it’s past time for Abigail Nussbaum and/or Maureen K Speller to be acknowledged in that or some other capacity, but frogtea.gif).

END OF YEAR WRITING REVIEW:

STRANGE HORIZONS:

2016 In Review Part One  (my part: 270)
Yonderland (2276)

Age of Adeline (in the publishing queue, 2236)

***

OTHER PUBLICATIONS:

“Control the Computer, Control the Ship”, B7 and tech SFRA paper (promised to Foundation) (4kish atm)
“From ‘Shalom Aleichem’ to ‘Live Long and Prosper’: Engaging with Post-War American Jewish Identity via Star Trek: The Original Series“: forthcoming in “Set Phasers to Teach” (6666 with all notes)
Piece on P&P&Z (still homeless, 2980)
Piece on Love&Friendship (still homeless, 4315)

***

BLOG

FILM:

LITERATURE:

King John (2866)
Funny Girl (1426)

Sasha Regan’s All Male HMS Pinafore (1143)

NONFIC TOTAL: 84,265

***

FICTION:

Rereading (4,600, out with an anthology, waiting to hear back)

***

FANFIC:

281965 words, broken down in the end of year fic meme on my lj

***

Personal story planning, correspondence, essays and private-lj blogging:
endless

TOTAL (minus the substantial last category): 370,830 words this year, ‘published’ in one form or another

Bit less fiction than last year, and I really suspect less nonfic, but then moving was hideous and drawn out, mental health’s been bad and this year was draining all-’round.

Links, July 15

WRITING
Editor’s Note: An Apology To Our Readers
Fingerprint Words: The verbal tics that make up who we are—and how they spread to others.
Farley Mowat sent me the best rejection letter I’ve ever received
Accomplish Something Past 30? Too Late
Pacemaker Writing Schedule
Free Indirect Discourse: this is the writing mode I naturally fall into unless a story requires a POV limitation for some reason
the use of parentheses on twitter
Cruelty and Criticism
Don’t kill your darlings
How To Respond To Criticism
Tone Deaf Fiction
author bitching about review
how to format a short story for submission
TLC Slams Rihanna for Constant Nudity, Rihanna Throws Shade Right Back
Rose Lemberg on Language Hegemony
perils of the writing community
How to Tell if You’re in a MFA Workshop Story
If Strangers Talked to Everybody like They Talk to Writers
A FEW TIPS FOR WRITING FLASH FICTION
READING, WRITING, AND SUBMITTING
Don’t Attack Reviewers
Dear The Toast and The Butter: Please Fix Your Rights Grab
Le Monde editor quits after power struggle with top staff
A Memoir Is Not a Status Update: disagree, but v interesting
Passive Voice and Zombies
The significance of plot without conflict
Stories We’ve Seen Too Often
Aaron Sorkin Upset Writer Broke the Sacred Trust of the Writers’ Room