Paddington 2 (review)

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One night at after-work drinks, a developer on my girlfriend’s team announced without any irony that “Paddington 2 is sick.” “It’s like, really political,” he continued approvingly, his East London accent coming on especially strong a few beers in. Indeed, Paddington 2 is both sick and thoroughly political from start to finish. If the first film was “fuck UKIP, the children’s movie,” Paddington 2 maintains an unimpeachable level of craft, reinforces this stance and pushes itself to think and to say yet a little more.

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