I like this innovative presentation of a short story. One pound for this nice little thing. It’s a good idea, I wonder if it paid? I don’t know the original story that well, so can’t comment on Jones’ adaptive choices. If DWJ is good at illustrating the whole of a personality, she’s also good at a different form of characterization that derives from reactions to situations and events. Macro vs micro? Pacy, round incident and dialogue–a great ‘fleshing out’, and very simple too.
I also like the way this retells a fairy tale without–an obnoxious, sophomoric, ungenerative 90s comics need to scream ‘fuck you dad!!’ and grimdark the thing? Sooo maaaany fairy tale retellings try and ‘punk’ the text without really *getting* the darkness already embedded in the text. Not that this “Puss in Boots” is particularly redolent of tension between the canny and the un–but Jones embodies the story in a way that’s fuller and more satisfying than it might have been if she’d chosen to buck the text without some real reason to do it, some objective such fighting works in the service of. Fighting for fighting’s sake isn’t terribly interesting or generative, and often seems to reify rather than destabilize structures. Like what Ethan Robinson says about the fail condition of subversion being reification.
The Fanghorn illustrations are fine, but don’t particularly do much for me. Weird because they seem very touted on the back cover and the title page, like that’s a thing I should have come for.