There were ten versions of Hamlet at this year’s Edinburgh Fringe Festival. This figure included traditionalist productions as well as adaptations further afield—Hamlet and Ophelia Go Swimming, Hamlet Private Eye, etc. Hamlet the Musical was missing this year, which is a damn shame. Meanwhile, at Innsmouth Free Press, “She Walks in Shadows, the first all-woman Lovecraft anthology, will hold an open submissions period from November 15, 2014 to December 15, 2014.” Many are, apparently, still taking the calls of Cthulhu!
This serves to illustrate that Gehayi’s “Dagon’s Bargain” is, in many ways, a traditionalist’s pick for discussion. “Dagon’s Bargain” skillfully interweaves the world and questions of Hamlet with the Lovecraft mythos—the ur-canonical text hooking up with the ur-SFnal collaborative mythology.